Kendal Homes


The burgeoning residential housing market in Utah has a new player with the ramp up of marketing materials we created for Kendal Homes. Starting with a new identity, we've designed a synergistic pocket folder to house the brochure (still in the works), business card and written proposals on the new letterhead. The branding reflects the contractor as a specialist in building modern and mountain homes, with an upscale target market in Salt Lake and Park City.


Neumont Viewbook


The success of Neumont University's first graduating class has brought national attention to the Salt Lake-based computer science school. Graduating students have received salary offers 20% above industry average. As we have for the last three years, we created the brochure that is sent out to potential students inquiring about the school. The brochure is full of endorsements, logos of employers and sponsors, and photos of students. The brand position of the school differentiates it from a traditional University education, with an accelerated, project-based program, emphasized throughout the brochure. Known as a viewbook within the educational industry, we designed and directed the photography and printing of the 12-page publication.



Beginning September 15, the modern8 Gallery will be showing "Large Contradictions", an exhibit by the abstract expressionist Cary Griffiths. The panoramic photography of John McCarthy is showing at the modern8 Gallery through September 12. / Our office, down the street from Gateway, has room available for shared office space with all the equipment, connections and conveniences in place. You can view photos of the office online. Please email or call 801-355-9541 to make an appointment to take a look around.



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When You Need to Re-Brand
Design

I recently prepared a branding proposal for a 50-year-old company. It was comprehensive, involving both strategy and creative. They're still sitting on the proposal, but I think they are a textbook example of a company that really needs to evolve their brand because they'll truly benefit from it. I don't think everybody is in the same boat -- some companies don't need it. But here are some reasons why this company needs to refocus their brand.

The company clings to its history. They eulogize their past and acclaim their former accomplishments. Unfortunately, when continually looking back, it's hard to stay relevant. Customer viewpoints that shaped the brand in the past don't necessarily remain true. (This isn't uncommon. I've got other clients with the same problem.) Though the company leads in technological developments, the brand expression doesn't communicate it.

A few years ago the company went through a graphic revision to the company name and logo. Management believed that this activity was re-branding the company, not realizing that your brand is not your logo. Nor is it your identity, your products, or a new ad campaign. You don't even own your brand. The customer owns it. A brand is a person's gut feeling about your company. Brand management is how you manage the perception of the brand in minds of people --- mostly achieved through brand differentiation. Every customer engagement with the brand, no matter what the touchpoint, should communicate the brand promise: the "take away"--the single most important thing you want him/her to understand about your company--whether navigating your website, reviewing company literature, or in an exploratory phone call.

This particular company doesn't have a brand brief. It's navigating without a plan. The brand brief is the litmus test against which decisions are made. It includes adjectives that describe the brand personality and attributes. It includes images that evoke emotional response and bring visualization to abstract ideas. It includes sections for situation analysis, stakeholders, known parameters, the target market, competitors, and for assessing results. Brand definition is just as important internally as it is externally. Every employee should be a brand ambassador, not just those in the marketing department. Each should evaluate decisions recognizing whether it helps or hurts the brand.

There are three major divisions within this company, each selling to different markets. This is inherently difficult because an unfocused brand doesn't stand for anything. The brand architecture between the divisions is not clear. It neither displays a graphic relationship between the divisions nor clearly differentiates. The result is that the company doesn't capitalize on the equity of the parent entity nor does it appeal to the target market of the divisions. Federal Express is a company that has done it right. Divisions of the company, like FedEx Ground or FedEx Home Delivery, each share graphic, color and naming strategies that capitalize, yet differentiate.

Here's where a well-conceived and well-executed re-brand makes the most sense. The company's products are among the most expensive in their industry. The company can't compete based on price. In this case you must raise the perception of the brand's value. You have to be willing to pay more because you believe you're getting more. I've been buying Apple Computer products since 1984. Macs cost more than comparably equipped PCs, but I keep shelling out the extra dollars because I believe they're worth it. Of course, it could be because I like the style and design, or I believe Macs lead technologically, or because they are better suited to my industry. Regardless, my perception of the Apple brand is what I call charismatic: a brand for which I believe there is no substitute--thus, my willingness to pay the higher price. It's also interesting to note that brands that exhibit such strong loyalty pay more attention to style and design. Aesthetics are one of those symbolic cues upon which we often base choices, because we're simply too busy to compare features and benefits in our information-overload society.

Perhaps by the time you read this we'll be in the process of helping our client with a new brand strategy, but if not--well, I got a column out of it.

— Randall Smith


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